It's 1974 and smart-mouthed and filthy minded, Mauve has always felt an outsider in her small Northern Irish town. When she tries to squeeze as much fun as possible into her last summer, she realises something is going on behind the scenes at her factory summer job.

What the judges had to say about Factory Girls: ‘Laugh out loud funny, grabbed me halfway through the first sentence!’

Now in its fourth successful year the Comedy Women In Print Prize is the UK & Ireland's first comedy literary prize dedicated to celebrating witty women's writing

Of this year’s short list Angie Greaves, Chair of the published novel category says: “The panel had the most difficult task of creating a shortlist but, after much debate, we've created a list that reflects creative writing at its best and also represents comedy at its best.”

Founder, Helen Lederer, says: “CWIP is a platform for witty literature as much as a competition. We may have laughed less in the last two years because of Covid, but only a few years before that, we were mostly laughing at men’s funny books because they were championed more.”

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Praise for Factory Girls:

“Factory Girls is full of the stuff that we're starting to expect of Michelle Gallen; wild, hilariously angry characters, and language that is vital, bang-on, and seriously funny."

Roddy Doyle, Booker Prize-winning author of Paddy Clarke Ha Ha Ha and Love

“..blistering comedy”

People Magazine

“Michelle Gallen's Factory Girls pulses with dark, irreverent humor. Set in a place where dreams are laughable at best, dangerous at worst, it's a big F you to the only world these characters know. And yet, there's vulnerability here. Hope, too. I loved it."

Mary Beth Keane, New York Times bestselling author of Ask Again, Yes

“This novel is a wonder; the heroine is cheeky, the humor dark, the dialect thick, the sorrow palpable.”

Library Journal, starred review

“Gallen fluidly juxtaposes the pedestrian worries of small-town life against the Troubles of the mid-1990s… For fans of Derry Girls and the plucky heroines of Marian Keyes.”

Booklist, starred review

“This novel is as hilarious as it is heartbreaking: not to be missed.”

Shelf Awareness

“A cracking, confident follow-up: at times savagely funny, but with a loamy undertow of complex feeling . . . the highlights are . . . its deft characterization, observational humour and cracking dialogue . . . this entertaining, touching novel should also appeal to fans of contemporary authors such as Lisa McInerney, Louise Kennedy and Roddy Doyle."

Patricia Nicol, Sunday Times, best popular fiction books of 2022

“Street-smart, ballsy and bold . . . The world of Factory Girls is filtered through her darkly witty mind, but it’s also punctuated by shocking and sudden violence . . . Gallen’s pen draws blood with the sharpness of her observations, rendering a fresh and acutely more complex portrait of Northern Ireland through Maeve’s eyes. Gallen asks, what can one young woman do with hope? Maeve Murray answers . . . Brilliantly, wickedly funny and soul-crushingly sad, Gallen has written the Vienetta of books this summer."

Irish Independent

“A wee novel with an enormous, furious heart . . . Honest, hilarious and such a recognisable portrait of 90s Northern Ireland, Factory Girls is an essential read”

Jan Carson

“A gorgeous, gritty and hilarious love letter to working class Northern Ireland in the 1990s. Gallen's protagonist, Maeve Murray . . . is a compelling creation who crackles brilliantly from the first pages”

Maeve Galvin

“One of the most moving and hilarious novels I have ever read . . . Factory Girls is one of the best books ever written about the Troubles, and one of the best books I've read in a very long time”

Silas House

“Brilliantly observed and full of heart, Factory Girls will be up there on my list of best books for this year”

Sheila O'Flanagan

“Provocative in more ways than one!”

Melatu-Uche Okorie

“Majella O'Neill was no flash-in-the-pan - Factory Girls is a powerful second novel. It has all of Gallen's flair for character, her ear for dialogue and her unparalleled sense of comic timing. And this novel cuts deeper, throbs with pent-up fury, a palpable sense of real and urgent despair. Viciously funny”

Lucy Caldwell

“A riot of a read. A masterclass in voice, the North and the 90s”

Sue Divin

“A much-awaited second triumph of dark humour - fabulous, dirty dancing words, that lift the soul. Gallen knows how to move us and make us roar at the same time. Jumping out with hysteria, Maeve is the hilarious queen of truth we all want to be”

Helen Lederer

“Some writers make you think; some writers make you laugh till you cry. Michelle Gallen belongs to that rare, rare group of writers who make you think even as the tears are tripping you. Factory Girls is a seriously funny novel - that manages at the same time to be deadly serious - about work, about friendship, about Northern Ireland in the months leading up to the 1994 ceasefire, and about being a teenager, any time, anywhere”

Glenn Patterson

“Highly entertaining . . . crackles with good one-liners . . . yet this earthy comedy also has telling things to say about violence and division”

Martin Chilton, Independent, Books of the Month

“Gallen writes with such verve and vivacity, her pacing pitch perfect and her dialogue sharp, true and laugh out loud funny. . . In Maeve, the factory and the town, we feel the heat of the 90s in Northern Ireland, the strength and weakness of teenage friendships against a simmering backdrop of turmoil and change - everything moving forward despite the hold the past has on the place. Gallen's evocation of community and place is extraordinary, a masterclass in dark humour.”

Olivia Fitzsimons, author of The Quiet Whispers Never Stop

“Gallen manages to take a dark and violent period in history and turn it into one of the most moving and hilarious novels I have ever read. The rich cast of characters will break your heart and make you laugh out loud, sometimes within the same paragraph. I found it difficult to put this book down; while reading it the rest of the world fell away and I was transported to Northern Ireland via an unforgettable voice and a steadily boiling story of friendship, grief, and determination. Factory Girls is one of the best books ever written about The Troubles, and one of the best books I've read in a very long time”

Silas House, author of Southernmost and Lark Ascending

“Original and compelling . . . Gallen's comic, insightful novel . . . shares brilliantly the tangled stories of young women in a struggling provincial town. . . . Factory Girls brings a hidden generation of young women to the literary stage, and does so in a flurry of 'thons' and 'skitters’  ”

Nicholas Allen, Irish Times

“The perfect pick for those missing their dose of Derry Girls”

Irish Examiner

“If the cast of Derry Girls worked in a shirt making factory . . . There's a lot of laugh-out-loud humour . . . but at its heart it's an emotional read”

Belfast Telegraph

“Gallen's pen draws blood with the sharpness of her observations, rendering a fresh and acutely more complex portrait of Northern Ireland through Maeve's eyes . . . Brilliantly, wickedly funny and soul-crushingly sad, Gallen has written the Vienetta of books this summer”

Fiona Murphy, Irish Independent

“Funny, poignant and provocative”

Daily Mirror (Ulster)

“Darkly comic”

Patricia Nicol, Daily Mail

“One of the most entertaining, engagingly written summer reads you will lay your hands on”

Sunday Life Magazine

“Impossible to put down, and packed with more humour and poignancy than a Catholic funeral, Factory Girls is a bold and brilliant snapshot of working-class lives during the North's most tumultuous period”

Sunday Business Post

“This brash and lively novel is a black comedy of great skill and wit . . . Raucous, in your face, sexually frank and (often hilariously) politically incorrect . . . it's intoxicating, defiant, bitter laughter in the dark, knowing comedy at its blackest pitch”

Irish Examiner

“Hilariously funny and heartbreakingly sad. Don't read this book in public if you don't like howling with laughter, or weeping, in front of strangers”

Penny Wincer, That's Not My Age